marie louise ou la permission

China Girls, Death Proof, and the Hidden Face

April 14, 2019

Old News: Old Noise Edition

April 8, 2019

Old News: April 1, 2019

Nicolas Winding Refn, Marginalia, and the Deaths of Cinema

And now, let us praise Kanopy

January 24, 2019

Warren Sonbert and the Relief of Anti-Narrative

January 14, 2019

The World Is Ending and It Doesn’t Matter

The Best Films of 2018

Film Reviews

Madeline’s Madeline: An Unclassifiable Panic Attack Maybe-Masterpiece

December 21, 2018

Shoplifters Steals Moments of Wonder from the Mundane

December 11, 2018

Burning and Forgetting What’s Not There

Alien, Musicology, and Reading Soundtracks

Commentary Film

Shocktober III: Halloween 2018 Edition

October 24, 2018

Shirley Jackson’s The Lottery Traumatized Schoolkids in 16 mm

October 18, 2018

Shocktober 2018 II: Another Reshockening (of Horror)

Häxan is a movie made by a movie character

Commentary Film

Shocktober 2018

October 7, 2018

Unprofessional! Spring Night, Summer Night

October 3, 2018

China Girls, Death Proof, and the Hidden Face

Old News: Old Noise Edition

Old News: April 1, 2019

Nicolas Winding Refn, Marginalia, and the Deaths of Cinema

And now, let us praise Kanopy

Warren Sonbert and the Relief of Anti-Narrative

The World Is Ending and It Doesn’t Matter

The Best Films of 2018

Madeline’s Madeline: An Unclassifiable Panic Attack Maybe-Masterpiece

Shoplifters Steals Moments of Wonder from the Mundane

Burning and Forgetting What’s Not There

Alien, Musicology, and Reading Soundtracks

Shocktober III: Halloween 2018 Edition

Shirley Jackson’s The Lottery Traumatized Schoolkids in 16 mm

Shocktober 2018 II: Another Reshockening (of Horror)

Häxan is a movie made by a movie character

Shocktober 2018

Unprofessional! Spring Night, Summer Night

The Wild Boys: A Luddite Robot Conversation

Kusama: Infinity Expands Beyond The Canvas