CommentaryFilm

China Girls, Death Proof, and the Hidden Face

Old News: Old Noise Edition

Old News: April 1, 2019

Nicolas Winding Refn, Marginalia, and the Deaths of Cinema

CommentaryFilm

And now, let us praise Kanopy

Warren Sonbert and the Relief of Anti-Narrative

The World Is Ending and It Doesn’t Matter

The Best Films of 2018

FilmReviews

Madeline’s Madeline: An Unclassifiable Panic Attack Maybe-Masterpiece

Shoplifters Steals Moments of Wonder from the Mundane

Burning and Forgetting What’s Not There

Alien, Musicology, and Reading Soundtracks

CommentaryFilm

Shocktober III: Halloween 2018 Edition

Shirley Jackson’s The Lottery Traumatized Schoolkids in 16 mm

Shocktober 2018 II: Another Reshockening (of Horror)

Häxan is a movie made by a movie character

CommentaryFilm

Shocktober 2018

Unprofessional! Spring Night, Summer Night

The Wild Boys: A Luddite Robot Conversation

Kusama: Infinity Expands Beyond The Canvas

Home » Other » Commentary » In 1934, The Goddess took aim at the Angel/Whore dichotomy » the goddess 4